Victorian College of the Arts Jobs Professor of Art

Papers

Australasian Drama Studies , 2021

Three prominent Australian artists who work with projection hash out the ways in which they collab... more Three prominent Australian artists who work with project hash out the ways in which they collaborate inside creative processes and artistic teams, forging new visual dramaturgies of operation-making in a quickly expanding practice.

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Barrie Kosky'south Transnational Theatres , 2021

This chapter surveys the work of the Gilgul Ensemble, an contained theatre company established ... more This chapter surveys the work of the Gilgul Ensemble, an independent theatre company established by Barrie Kosky in 1991 to investigate Jewish identity, history and performance. Across the 6-year lifespan of the company, Gilgul created v works that cemented Kosky's growing reputation as a director and theatre-maker of uncommon vision and boldness. The authors, Yoni Prior and Matthew Delbridge, were members of the original ensemble and the chapter draws on interviews with past ensemble members to consider the idiosyncratic dramaturgy and collaborative working methods that forged the work, and the evolving stage linguistic communication that adult across the span of the works. The affiliate also reflects on the local and international cultural context out of which the work emerged, locating information technology in an historical moment when Australian (and peculiarly Melbournian) theatre artists were responding explicitly to the variety of the Australian population through investigations of narratives of migrati...

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Blood, Sweat & Theory : Enquiry Through Practice in Functioning , 2009

In Levad, the narrative of history, both internal and external, was expressed every bit action on and th... more In Levad, the narrative of history, both internal and external, was expressed as action on and through the trunk. Experience was fabricated incarnate. A 2nd text emerged as the effort of executing that action told on the trunk of the histrion in signs of exertion – weariness, breathlessness, sweat, strain in the vocalisation. Images of 'stoic endurance' in the frame of the piece knit the impact of the fictional history on the fictional trunk/character into the impact of the existent history/time on the real trunk/role player.

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'We're People Who Do Shows'. Back to Back Theatre: Performance Politics Visibility , 2013

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Australasian Drama Studies , 2014

An account of a number of telematic performance projects devised in collaborations between Dutch ... more An account of a number of telematic performance projects devised in collaborations between Dutch and Australian university students. The initial prompt for using a telematic framework for devising functioning across remote locations was the desire to push button against a set of cultural, applied, temporal, spatial and institutional constraints imposed by, or present in, the locations in which we taught. The engagement with this framework, however, brought us hard up against a gear up of technological constraints which governed the stories we were able to tell, the ways in which the collaborative process was shaped and managed, and the formal and artful aspects of the performances that nosotros produced.

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Australasian Drama Studies , 2019

Miles O'Neil interviews Dr Yoni Prior

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Australasian Drama Studies 75 (October) , 2019

Australian actress, Julie Forsyth has, by whatsoever mensurate, an extraordinary work history, as the numb... more Australian actress, Julie Forsyth has, past any measure, an extraordinary work history, as the number and range of works she has performed over the last four decades attests. Few Australian actresses are offered the opportunity to test their mettle confronting the canon of European classic theatre, or to piece of work at the heart of an ongoing ensemble for more a decade. In this interview we talk over the office of actor training in Australia, the contribution of the ensemble to Australian theatre history, the changes in understanding around the idea of an ensemble, the lived experience of Australian actresses, and the place of the 'veteran' actress in the contemporary artistic and industrial environment.

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Teʼaṭron , 2006

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Global Vs Local Volume of Abstracts International Federation For Theatre Research , 2006

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Double Dialogues , 2008

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Australasian Drama Studies , October 1, 2002

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Australasian Drama Studies , 2021

Three prominent Australian artists who work with projection hash out the ways in which they collab... more Iii prominent Australian artists who work with project hash out the means in which they collaborate inside creative processes and artistic teams, forging new visual dramaturgies of operation-making in a chop-chop expanding exercise.

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Barrie Kosky's Transnational Theatres , 2021

This affiliate surveys the piece of work of the Gilgul Ensemble, an contained theatre company established ... more This chapter surveys the work of the Gilgul Ensemble, an independent theatre company established past Barrie Kosky in 1991 to investigate Jewish identity, history and functioning. Across the 6-year lifespan of the visitor, Gilgul created five works that cemented Kosky'southward growing reputation as a director and theatre-maker of uncommon vision and boldness. The authors, Yoni Prior and Matthew Delbridge, were members of the original ensemble and the affiliate draws on interviews with past ensemble members to consider the idiosyncratic dramaturgy and collaborative working methods that forged the work, and the evolving stage language that adult across the bridge of the works. The chapter also reflects on the local and international cultural context out of which the work emerged, locating information technology in an historical moment when Australian (and peculiarly Melbournian) theatre artists were responding explicitly to the diversity of the Australian population through investigations of narratives of migrati...

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Blood, Sweat & Theory : Research Through Practice in Performance , 2009

In Levad, the narrative of history, both internal and external, was expressed as action on and th... more In Levad, the narrative of history, both internal and external, was expressed as action on and through the body. Experience was made incarnate. A second text emerged equally the endeavor of executing that activity told on the body of the actor in signs of exertion – weariness, breathlessness, sweat, strain in the vocalization. Images of 'stoic endurance' in the frame of the piece knit the bear on of the fictional history on the fictional torso/character into the impact of the real history/fourth dimension on the real body/histrion.

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'Nosotros're People Who Exercise Shows'. Dorsum to Back Theatre: Functioning Politics Visibility , 2013

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Australasian Drama Studies , 2014

An account of a number of telematic functioning projects devised in collaborations between Dutch ... more An business relationship of a number of telematic performance projects devised in collaborations between Dutch and Australian university students. The initial prompt for using a telematic framework for devising performance across remote locations was the desire to button against a set of cultural, practical, temporal, spatial and institutional constraints imposed by, or present in, the locations in which we taught. The engagement with this framework, however, brought united states of america difficult up against a set of technological constraints which governed the stories nosotros were able to tell, the ways in which the collaborative process was shaped and managed, and the formal and aesthetic aspects of the performances that nosotros produced.

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Australasian Drama Studies , 2019

Miles O'Neil interviews Dr Yoni Prior

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Australasian Drama Studies 75 (October) , 2019

Australian actress, Julie Forsyth has, by whatsoever measure, an boggling work history, as the numb... more Australian actress, Julie Forsyth has, past any measure, an extraordinary piece of work history, as the number and range of works she has performed over the last iv decades attests. Few Australian actresses are offered the opportunity to exam their mettle against the catechism of European classic theatre, or to work at the heart of an ongoing ensemble for more a decade. In this interview we discuss the role of actor grooming in Australia, the contribution of the ensemble to Australian theatre history, the changes in understanding around the idea of an ensemble, the lived experience of Australian actresses, and the place of the 'veteran' actress in the gimmicky artistic and industrial environs.

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Teʼaṭron , 2006

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Global Vs Local Book of Abstracts International Federation For Theatre Research , 2006

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Double Dialogues , 2008

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Australasian Drama Studies , Oct 1, 2002

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thornburgtichich.blogspot.com

Source: https://angklungeditions.academia.edu/YoniPrior

Victorian College of the Arts Jobs Professor of Art

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